It’s increasingly difficult to do anything on your phone nowadays without sharing your geolocation information. Certain Snapchat filters, Facebook status updates. Ever notice how Christopher Nolan’s movies (Interstellar, Inception, The Prestige) feel like an anxiety attack? Well, maybe that’s overstating things a bit.

We would like to show you a description here but the site won’t allow us.

HBO Hackers Leak Senior Executive's Emails, Demand Undisclosed Amount of Money as Ransom. The hackers behind a massive intrusion into HBO systems have released a month’s worth of a senior HBO executive’s emails, dumping a “publicly accessible link to a cache of internal documents” which also included the script to yet another upcoming episode of Game of Thrones, Hollywood Reporter wrote Monday. The Reporter said evidence of the materials arrived via an email with nine file attachments with “such labels as . It is unclear whether the publicly accessible URL has been sent to other media sites or been posted online, the Reporter added. A non- exhaustive search of some social media sites including Reddit and Twitter showed if the latest documents are out, they have not spread very far across the most public- facing parts of the web yet.

The hackers claim to have 1. HBO executive (it’s unclear if it is the same executive) as well as screenshots of the network’s internal administrative system. The leak of the contents of one executive’s emails does not necessarily indicate the hackers have compromised HBO’s entire email network, something the network denies—and since the hackers are demanding an undisclosed amount of money, they could be bluffing. The August 6 episode of Game of Thrones leaked last week before its air date, though some sources said the release of the episode was not linked to the hackers.

The Reporter wrote the documents included a video letter addressed to HBO CEO Richard Plepler, who was not the executive whose emails were leaked.“We successfully breached into your huge network,” the video said. Buena Vista Social Club Mp3 Descargar Peliculas here. While it has been reported that a number of emails have been made public, the review to date has not given us a reason to believe that our email system as a whole has been compromised.”.

The Uncanny Sound Illusion That Creates Suspense in Christopher Nolan's Movies. Ever notice how Christopher Nolan’s movies (Interstellar, Inception, The Prestige) feel like an anxiety attack?

Well, maybe that’s overstating things a bit. But the director does have a knack for creating an unnerving degree of tension. Turns out he’s using a little bit of musical magic to do it. The magic is actually a science- based audio illusion called a Shepard tone.

Named after psychologist Roger Shepard, a pioneer in our understanding of spatial relation, the effect sounds like an infinitely ascending or descending scale. The tones are constantly moving upwards or downwards, but they never seem to reach a pinnacle or nadir. This is accomplished by stacking scales on top of each other—typically one treble scale, one midrange, and one bass—with an octave in between, then playing them in a continuous loop. A Shepard tone is sometimes referred to as the barber pole of sound. You can even see the similarity, when you hear it and look at the spectrum view of a Shepard tone. Don’t listen to this too long, or you might lose your mind: Anyways, Christopher Nolan just loves this. With longtime collaborator Hans Zimmer, the acclaimed director has used a Shepard tone in almost every one of his films in the last decade.

He even writes his scripts to match the effect. In a recent interview, Nolan explained how he used Shepard tones in his newest film, Dunkirk: The screenplay had been written according to musical principals. There’s an audio illusion, if you will, in music called a “Shepard tone” and with my composer David Julyan on “The Prestige” we explored that and based a lot of the score around that. And it’s an illusion where there’s a continuing ascension of tone.

It’s a corkscrew effect. It’s always going up and up and up but it never goes outside of its range. And I wrote the script according to that principle. I interwove the three timelines in such a way that there’s a continual feeling of intensity. Increasing intensity.

So I wanted to build the music on similar mathematical principals. Knowing this, you gain a deeper understanding of films like Interstellar, Inception, and The Prestige. It also explains why these films seem somehow inconclusive. A Shepard’s tone creates a conflict that can’t be resolved, just like Nolan’s plots.