Adobe Premiere Pro CC Review & Rating. Adobe Premiere Pro deserves its place as the industry standard video editing software, thanks to its familiar nonlinear editing interface, unmatched ecosystem of tools, and powerful set of capabilities.

Since my last look at the massive application, it has added support for 3. VR content, 4. K (and higher) and HDR video, and the Lumetri Color tool. It has also added class- leading collaboration capabilities. All of this makes Premiere well worthy of an ditors' Choice award for professional- level video- editing software. While Apple made a drastic break with the past when it updated Final Cut Pro X, Adobe continues to take an incremental approach, polishing the interface and adding state- of- the art tools to its professional video editing software, Premiere Pro CC. Those used to traditional nonlinear digital video editing will applaud Premiere's familiar approach, but in its favor, Final Cut offers some innovative tools like connected clips, auditions, and a trackless timeline that can ease the work of editors. Pricing and System Requirements.

Premiere Pro is now only available by subscription to Adobe Creative Cloud. The cross- platform program runs on mac. OS 1. 0. 1. 0 through 1. Windows 7 through Windows 1. It also requires a minimum of 8. GB of RAM (1. 6GB recommended), and a 1,2. The program by itself costs $1.

You can also get it as part of the complete suite of Adobe professional applications for $4. There is a free 3. Because Premiere is sold as a subscription, not only is the immediate dent on your pocketbook lessened (prior to the new pricing plan, it cost a cool $7. When you install Premiere, you also get Adobe Media Encoder, which converts output to a wide variety of formats for online and broadcast.

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Interface. Premiere Pro has a good- looking, flexible interface. The startup view helps you quickly get to projects you've been working on, begin new projects, or search Adobe Stock. The dark program window makes your clips the center of attention, and you can switch among functions like Assembly, Editing, Color, Effects, Audio, and Titles. You can edit these or create your own custom workspaces, and even pull off any of its panels and float them wherever you want on your display(s). You can now create content bins based on search terms.

By default, the editor uses a four- panel layout, with the source preview at top left, a project preview at top right, your project assets at lower- left, and the timeline tracks along the lower right. You can add and remove control buttons to taste; Adobe has removed a bunch by default for a cleaner interface. Since many editors rely on keyboard shortcuts like J, K, and L for navigating through a project, fewer buttons and a cleaner screen make a lot of sense.

It's a very flexible interface, and you can undock and drag around windows to your heart's content. When you hover the mouse over a clip in the source panel, it scrubs through the video. Premiere is now touch- friendly, letting you move clips and timeline elements around with a finger or tap buttons. You can also pinch- zoom the timeline or video preview window.

You can even set in and out points with a tap on thumbnails in the source bin. Final Cut supports the new Mac.

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Book Pro Touch Bar, but I prefer the on- screen touch capability, since, unlike the Touch Bar, the touch screen doesn't require you to take your eyes off the screen and therefore your video project. When you click on a media thumbnail, you get a scrubber bar and can mark in and out points right there, before you insert the clip into your project. Premiere offers several ways to insert a clip into your sequence. You can click the Insert or Overwrite buttons in the source preview monitor, or you can just drag the clip's thumbnail from the media browser onto the timeline or onto the preview monitor. Holding Command (or Ctrl on Windows) makes your clip overwrite the timeline contents. You can even drag files directly from the OS's file system into the project.

The media browser also has tabs for Effects, Markers, and History, the last of which can be help you back to a good spot if you mess up. Markers, too, have been improved, with the ability to attach notes and place multiple markers at the same time point. Markers can have durations in frame time codes, and the Markers tab shows you entries with all this for every marker in a clip or sequence. Clicking on a marker entry here jumps you right to its point in the movie. Any device that can create video footage is fair game for import to Premiere Pro.

The software can capture from tape, with scene detection, shuttle transport, and time- code settings. It also imports raw file format from pro- level cameras like the Arri Alexa, Canon Cinema EOS C3. Red Epic. Resolutions of up to 8. K are supported. And, of course, you can import video from smartphones and DSLRS, as well. For high- frame- rate video, the program lets you use proxy media for faster editing. Trimming Clips in Your Project. Premiere Pro continues to offer the four edit types that sound like they belong at a waterpark—Roll, Ripple, Slip, and Slide—and adds a Regular Trim mode.

They're all clearly accessible at the left of the timeline. The cursor shape and color give visual cues about which kind of edit you're dealing with. A welcome new capability is that you can actually make edits while playback is rolling. In a nice touch, holding down the mouse button while moving a clip edit point (or double- clicking on an edit point) opens a view of both clips in the preview window. If you double click on the edit point it switches to Trim mode, which shows the outgoing and incoming frames, with buttons for moving back and forward by 1 frame or 5 and another to apply the default transition. As with Adobe Photoshop image layers, layer support in Premiere Pro lets you apply adjustments.

These will affect all tracks below them. You create a new adjustment layer by right- clicking in the project panel. Then you drag it onto a clip your timeline, and start applying effects. Transitions and Effects. If you've been reading my recent reviews of enthusiast- level video editing software, you may be surprised to learn that Premiere Pro includes just 3. This is because in the pro community, most of those hundreds of transitions offered by the likes of Cyber. Link Power. Director are considered tacky—if pros want to do fancy transitions, they build their own striking, custom ones in After Effects or buy polished premade ones via third- party plug- ins.

Otherwise, all the video effects you'd expect are present—keying, lighting, colorizing, and transforming. Download Warriors Orochi 2 Full Crack Idm. You can apply an effect just by double clicking.

A search box makes it easy to find the effect or transition you need. The Warp Stabilize feature, brought over from After Effects, is very effective at smoothing out bumpy video. But it takes a while, analyzing one frame at a time. You can adjust the amount of cropping, tweak the percent smoothness, and make the borders auto- scale. But the long wait pays off. The result was very noticeably smoother than in Final Cut Pro X in my testing. Collaboration. New collaboration features rank high in the list of new features in Premiere Pro.

Creative Cloud Libraries let you store and organize assets online, and the beta Team Projects feature lets editors and motion graphics artists using After Effects collaborate in real time. The Teams features are only available for business- level accounts, which cost $2.

Any Premiere user can sync settings to Creative Cloud, for editing from different PCs and locations. This also means that editors can go to any machine running Premiere and see their environment tweaks duplicated by signing into the cloud.

VR Video. Premiere lets you view 3. VR footage and change the field of view and angle. You can view this content in anaglyphic form, which is a fancy way of saying you can see it in 3. D using standard red- and- blue glasses. You can also have your video track a head- mounted display's view.